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but like pre-industrial
He worked as a designer at CBS Records and as an art director for several magazines before committing to freelance photography full-time
“High Difference” at Invisible Exports (New York)
‘At first
for those who inhabit it and those merely passing through it
NATUR Under 25 but like pre-industrialIn a series of black and white images of the German landscape made between 1987 and 1997, Michael Schmidt has forged a new pictorial language to deconstruct the world he observes. Concerned with light and form, Schmidts images contain a wealth of silver tones, a spectrum of rich greys which evolve from light to dark in mystical, imperceptible gradients. But the black and white filter is also a tool that allows Schmidt to neutralise the world, impeding
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