[LARGE PLATE (PLATTER)] HIBIKI AOSAI PLATE 225 | DAINICHI | KYOTO-KIYOMIZU WARES 肥前吉田焼 After studying under Western painter

After studying under Western painter Nabesaburo Kito and Susumu Fukuyama at the YAG Drawing Institute

and the hemp leaf pattern of the aggregate expresses stronger sacredness and beauty

Experience and technology cultivated over half a century

Japan Technique Tsugaru Vidro Material glass Size φ2

2016 collection Tomﾃ｡s Alonso produced by SEHYO 2_Photography Kenta Hasegawa

[LARGE PLATE (PLATTER)] HIBIKI AOSAI PLATE 225 | DAINICHI | KYOTO-KIYOMIZU WARES 肥前吉田焼 After studying under Western painterShigeo Takemura It is a "platter" where you can enjoy the blue change from the edge to the center of the plate. Enjoy the piercing blue color change, which is one of the highlights of the glaze pool that crystallized in the center. The pattern of blue glaze flowing on the outside gives the bowl a change. I make my own natural ash glaze by turning sunflowers that I have grown into ash and mixing them with burned ash such as grapes, sunflowers, and