Salveson describes his photographic process as 'unfolding like a private performance in an empty house
published by Steidl in 2004
plus numerous essays on other artists and photographers from Walker Evans to Robert Mapplethorpe
photographing everyday landscapes is a way to acknowledge the importance of the vernacular
Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary
White Planet Black Heart Ursula Schulz-Dornburg Salveson describes his photographic processTorbjrn Rdland is to photography what the Pet Shop Boys are to pop: a master of the delicately orchestrated cliche overload, a surcharge of the too obvious, too cute or too insane, played to the point where, drained of all trace of common sense, it suggests a new sense of silence, of mystery. Rdland has a knack for producing images that make you ask what are, in fact, appropriate motives for art photography: Images of single audio or video cassettes?