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As Monica Manolescu wrote of Nabokovs evocation of tourism in Lolita : In contrast to the explorer as a superior discoverer, the tourist is a risible figure and a victim of the mirages of advertising and tour books. Manolescu notes that the hebephile protagonist Humbert Humbert projects a clear-cut opposition between himself and Lolita based on the distinction between high and low culture, imagining that he conversely embodies: the cynical critic of popular culture operating with European references and Lolita as the ideal consumer to whom ads were dedicated ( Lolita , 138)
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Concerned that creeping Americanisation of our culture has led to a generation of children giving the finger instead of good old British Vs, the two-fingered salute will be taught to children from the age of seven
