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The key was a 'hook.' For ten years after that film, people would still come up to me on the street and say, 'Hey Jack, can I have the key?' Another was where I strained spaghetti, using a tennis racket for a colander Today, one of the first things I look for in a script is the hook, that little audience-grabber." Billy Wilder, writer-director (in Conversations with Wilder, 1999): [The spaghetti-strained-through-the-tennis-racket idea in The Apartment began with an innocent comment by co-writer Izzy Diamond: "Women love seeing a man trying to cook in the kitchen
The new record is also cinematic, which is fitting, seeing as Gonzalez used to run a movie theater on the Upper West Side
The five most worthwhile stranger missions in RDR2 should all be a part of virtually every playthrough, while the weakest five tend to be better off ignored
Every detail is designed to work together so the experience feels familiar, satisfying, and intentional
"But this prop has gone down in pop history
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